A shout out to composers. I didn't ask this on the call for scores, but the question will come up when I begin recording. Who administers your mechanical licenses? I would like to understand how composers of concert music are doing it these days.
I won't be dealing with ASCAP or BMI when producing my CD since those are performing rights organizations and pressing a CD isn't a performance. What I need is music clearance for mechanical licenses for your music.
However, I know ASCAP members, for example, get a discount on Limelight for music clearance services. So how many of you composers use ASCAP and Limelight? How much of the music for Tangent Shores will I be able to clear through Limelight?
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